devashish gaur


Bio

Devashish Gaur (b.1996, Delhi, India) currently based in Mumbai, India. Working across photography and narratives, he has an interdisciplinary practice that involves photographic archives, topics of domesticity, distance, intimacy, found objects, ideas of home and identity. His portfolio of India’s lush natural environments, stark concrete architecture, and domestic life paints one of the world’s most crowded cities as a place of quiet solitude.

News:
Group exhibition:
Gen Z, Shaping a New Gaze at Photo Elysse Museum in Lausanne, Switzerland.
until February 1, 2026

devashish gaur
@devacheez


This Is The Closest We Will Get
Project Statement

Deprived of the privilege to see my grandfather alive, upon growing up I was told that I have habits and interests similar to those of his. He was a freedom fighter, teacher, radio jockey, photographer and poet too. As I grew older, I developed an eagerness towards his life and the only way for me to learn more about him was through my father and scavenging through my family archives, reflecting upon the photographs with my uninvited gaze. I felt in myself a desire to depict and explore the things that are left behind.

My minute discoveries about my grandpa’s life became a way of exploring my relationship with my father. There is a polarity linked with my father’s behaviour that often makes me feel that we are very distant even though we share domestic space and family history. It has often made me think that maybe the only true heirloom is memories and intergenerational trauma. The form of communication has been replaced by daily 'Good Morning' cards on whatsapp. As his age is progressing, I see him talking less and expressing more on social media than in person, often about the dissatisfaction and corruption in the government. Daily status updates have taken an important role in his life, leading to a temporary ban for using too much freedom of speech on facebook against the state. There are a lot of stories of the Indian freedom struggle but these times often makes me think if we ever actually achieved freedom. There is a constant silencing of voices, ideas, institutionalized oppression and rampant nationalism, it often makes me think of the battles fought to free us all. I think if my grandfather was alive, he would question if we ever attained freedom. We live in (polarized) times and social media does take up space within our surroundings, it alters our relationships too.

Photographing my domestic space and reflecting on archives became a way of feeling my grandfather's presence around me and to reflect on my own relationship with my father. It also became a way of navigating my own presence and identity. The mystery lingers on, the assumptions of his voice are baffling. He could be a million things that I think he was or a million things that he wasn't. He lives on and is preserved between what is known and the in-between moments of conflicts and negotiations in our private space.


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