Your name
Santiago Escobar-Jaramillo
Place of birth
Manizales, Colombia
Place where you live now
Manizales, Colombia
3 words to describe you
Creative, persistent, happy!
Why do you take pictures?
To tell and share the stories that matter to me.
Where do you get your inspiration?
From everyday life encounters.
Who are your influences?
Christo & Jean Claude, Doris Salcedo, Miguel Ángel Rojas, Ricardo Cases,
What determines the subject matter you choose?
It must reflect on social and political tensions in Colombia and has to have a continuity on my previous projects.
What impact would you like your art to have?
All art is political. I hope my work brings a call-to-action to the audience.
What artwork do you never get bored with?
One that's dynamic that permits me to ask questions rather than getting answers.
Is there anything you want to add?
Most of my work is based on participatory and urban and landscape interventions that are later photographed. I use architecture, sculpture and drawing as allies in the creation of images and objects that represent experiences and dreams; new realities -or other points of view- away from set beliefs.

The Fish Dies By Its Mouth / El pez muere por la boca
Project statement

The Fish Dies By Its Mouth / El pez muere por la boca reflects on the resilience and resistance of people in the context of drug trafficking and fishing. The beach line connects the sea (or river) with the continent (or mainland) where amphibious communities inhabit with long traditions of music, dance, hairstyles, games and celebration. Also of agriculture, gastronomy, tourism, whale watching and nature. This peace is permeated by paramilitary presence, violence and drug trafficking.

Drug traffickers need access to the coast to get their product out to sea. During these trips in speedboats, they are intercepted by the Colombian Navy or naval force, and their way of escaping is to drop the cargo to make the boat lighter. Fishermen from towns such as Rincón del Mar, Sucre, in the Atlantic, or Bahía Solano, Chocó, in the Pacific, occasionally find packages that can mean a year's income or one-week rumbas. Some succumb to this pressure; others stand firm in the face of the onslaught of illegality. Such macabre characters as Pablo Escobar or "Cadena" reigned in these lands and conditioned the daily life and rules of the community.

"The inhabitants of Rincón del Mar remember that more than twenty years ago the regime of life imposed on them by the paramilitaries was so fearful and cruel that on a whim of Rodrigo Mercado, alias "Cadena", an elementary school was knocked down so that it would no longer block the view of the sea from his house, located in the center of that place". Pablo Escobar, for his part, ordered the construction of hotels in Isla Palma and Bahía Solano to stay during his visits, as a summer resort.

The Fish Dies By Its Mouth / El pez muere por la boca is a participatory and intervention project in which the community is an active part in the creation of the images. The contrasts between traditions (peaceful states) and armed pressure (paramilitary and drug trafficking groups) are expressed in different actions, landscapes, bodies and objects. Everyday life intermingles with the construction of the scenes. Here, the performative act is confused with the swaying of reality, as a song to that undefined limit between sea and land, between legality and prohibition.

Between 2016 and 2023, I went on fishing trips with my father, my brother, my uncle and my cousin. We all have the last name Escobar. Our link has nothing to do with Pablo, but with the sea, the land and his sons: Federico, Deivis, Jolly and Ñato, friends of these resilient communities.

@escobart