American photographer Evan Klanfer’s analog portraits of youth in Oregon express a timeless quality reminiscent of a pre-digital era in To Fly on Their Own Wings.
In her portrait series Mary’s Children, Estonian Angelika Kollin seeks to make seen unseen “heroes” who exude courage in times of adversity.
Canadian Shira Gold reflects on how our self-perception changes over our lifetime with her tree portraits in If Memory Was A Layer.
Mexican photographer Kendy Rivera and Brazilian Carolina Krieger both experiment using appropriated images. Rivera dives into the field of spiritist photography and offers insights into the evolution of photographic practices in Nostalgia for the Glade while Krieger creates collages to dig into the unconscious mind as she explores the mysteries of life in m.o.
Ukrainian Julia Wimmerlin takes us on a journey into her dreamworld in Reverie.
In Times ParadiseZhou Chengzhou considers the loss of childhood dreams through his photographs of abandoned amusement parks built out of greed and left to rot in his homeland China.
Dineelwane is a series of collages by South-African photographer Tshepiso Moropa that bring new life to the traditional narratives of SeTswana folktales and folklores and hopes to spark conversations between past and present.
Spanish photographer Gloria Oyarzabal’s series USUS FRUCTUS ABUSUS highlights issues of ownership, restitution, and agency and especially the representation of black women in art institutions and draws inspiration from multiple sources including Felix Valloton’s painting La Blanche et la Noire.
We want to finish this overview of The 10 with the “photographic love letter” What the Fuck Do They Know About Love” by the Swedish-Norwegian photographer couple The Hays who found each other through photography and bring love, light and laughter to the world and take photographs to know each other better.
